I also appreciate that the plugin has the high-frequency makeup feature, which is handy when you don’t want those high frequencies lost in compression. You can control your tone with drive, gain reduction, dry-wet, and the sidechain section. These features ease my workflow significantly and give me more versatility for mixing and mastering. It is not only about the sound of this compressor but also modern touches like stereo link, drive, sidechain section, dry-wet mix, and the high-frequency makeup feature. Its slow attack and smooth character offer analog sound while having some modern DAW-friendly features. This plugin finds the sweet spot between the vintage sound and modern controls. This plugin comes in VST, VST3, AU, and AAX plugin formats 2. I usually use U2A for vocals, but you can also use it for acoustic guitars, pianos, and other acoustic instruments. I also like that it features an R37 sidechain filter network, onboard parallel processing, and a limiter mode switch, which are all great for musical and beefy leveling. Plus, the recovery control allows you to adjust the release time, giving you even more versatility. A great addition is the aging knob, which lets you switch between different L2A compressor emulations from a new opto cell to an age-old vintage device. This way, you can adjust the tube saturation and opto compression individually. The plugin comes with separate controls for makeup gain and THD injection, which gives you more control over your sound. It offers many flavors and makes your sound rich, thick, and bold. If you like authentic-sounding vintage compression sounds, Neold U2A is a great choice. Now that you have a general introduction to opto compressors, let’s look at some of the best opto compressor plugins today. ![]() Actually you can, but they are better choice for individual tracks. If you like the vintage analog sound like me and want your compression to sound natural, Opto compressors are the right address.ĭue to their slow character, optos generally should not be used for mix busses or mastering. What I also like about Opto compressors is the tonal color and sonic enhancement they add to the mixes. The result is natural compression with a nice warmth and richness added to the tone. I always use them individually on the tracks instead of on buses. I also use these versatile ones for smoothing out vocals, enhancing bass guitars, balancing guitars, enriching pianos, and making drum records sound more punchy. ![]() I mainly use them for vocals and bass, but today, there are many “optos” with a modern features added. They provide an organic and smooth compression while adding harmonic richness to your mix and work great with any track that needs a smooth transient. 4 Conclusion Best uses for Opto compressor plugins
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